| "Innocent in Death", by Nora Roberts
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| | chilly interior. Beyond the walls that
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| writing as J. D. Robb, is the latest
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| | Dallas has probably built as a defense
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| novel of the suspense series that takes
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| | mechanism is a witty, sarcastic woman who
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| place in a futuristic New York City. Amid
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| | is fiercely in love with her husband,
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| a frigid, winter setting, Lieutenant Eve
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| | Roarke. While I enjoyed the entire book,
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| Dallas works to solve the murder of Craig
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| | I especially enjoyed how Roberts/Robb
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| Foster, a school teacher who appears to
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| | shows the intense passion that Dallas and
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| have been an all-around good guy.
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| | Roarke share by weaving words in such a
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| Published by G. P. Putnam's Sons, ISBN:
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| | way that the novel's romantic subplot
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| 978-0-399-15401-0, the book appeals to
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| | drew me deeper into the story. When
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| readers who enjoy mystery, police
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| | someone from Roarke's past slinks into
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| procedural, and romantic subplots.
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| | town, Roberts/Robb uses her word-weaving
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| Roberts/Robb does a wonderful job at
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| | skills to show Dallas' more vulnerable
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| creating three dimensional characters in
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| | side.
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| "Innocent in Death." Lieutenant Eve
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| | "Innocent in Death" touches on several
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| Dallas is a no-nonsense, smart cop who
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| | themes, in my opinion. The author shows
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| takes no prisoners once she believes she
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| | that appearances can be deceiving, that
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| knows the culprit that is responsible for
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| | past mistakes in life does not define
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| Craig Foster's murder. Beneath Dallas'
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| | one's present or future, and that love
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| cool posterior lies a slightly less
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| | does conquer all, sometimes.
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