| Make Sure Your Book Has Potential Before Writing It! | | | | book is just the first time you'll do that. |
| (Excerpted from The Well-Fed Self-Publisher: How to | | | | Along the way, you'll do it on countless other |
| Turn One Book into a Full-Time Living, by Peter | | | | occasions, as you craft: 1) email pitches to potential |
| Bowerman. Fanove, 2006. | | | | reviewers; 2) press releases to particular publications |
| "Crazy" Lives… | | | | or associations that have specific "hot buttons"; 3) |
| We've all known people who talk about their "crazy" | | | | articles for print/online publications which look for |
| lives, which, 99 out of 100, is just a life like most | | | | specific content; 4) promotional copy, commentary |
| other lives, or, at the very least, certainly not some | | | | and content for book signings, discussions, seminars, |
| Oprah-worthy existence. They exclaim, "I should | | | | speeches, radio/TV interviews, other public |
| write a book; no one would believe it." Yeah, and no | | | | appearances, and much more. |
| offense, but I'd wager no one would buy it, either. | | | | We need to tune our marketing minds into |
| What we think is absolutely fascinating about our life | | | | "WRII-FM," that unspoken question in the mind of |
| is rarely so for others. So, Rule #1 of the SP game, | | | | the reader of any printed material: "What's Really In |
| and part and parcel of the whole Sales and Marketing | | | | It For Me?" If the answer is, "nothing" or "not |
| discussion here is this: | | | | enough," then it's on to the next book on the |
| Write a Book People Will Want to Read. | | | | bookshelf, email in the inbox, or article in the |
| Painfully obvious, right? Total no-brainer? Well, as | | | | magazine. |
| we've all discovered, few things are no-brainers, | | | | How's Yours Different? |
| especially this one. A corollary to this rule is: Don't let | | | | Let's assume that you've determined that your |
| ego or vanity ("Hooowee, I'm going to be an | | | | subject matter is indeed viable. Next stop? Barnes & |
| author!") cloud your judgment and keep you from | | | | Noble, Borders, or See how many other books there |
| asking yourself the tough questions to determine if | | | | are on your subject. It might be a great topic, but if |
| your proposed subject matter is indeed salable. | | | | there are 20 titles that deal with it already, do we |
| Remember: a garage full of books is an amazingly | | | | really need a 21st? Yours had better be pretty darn |
| ego-boosting sight for about two hours. Tops. | | | | special, and to someone other than you (and your |
| Don't Go "Book Blind"! | | | | mother…). |
| Put another way, don't succumb to what I'll call "book | | | | Plenty of Room |
| blindness," a common affliction of first-time | | | | In the case of my first book, there was literally one |
| self-publishers and even some more experienced | | | | book on the market on the subject of commercial |
| folks: when you become so enamored with the idea | | | | writing: Secrets of a Freelance Writer, by Bob Bly. It's |
| that you've written a book and you're so intimately | | | | a very good book, in fact it was the book that got |
| attuned to how much blood, sweat and tears went | | | | me started in the commercial writing business. Still, it |
| into its creation (and by extension, how "incredible" | | | | was just one book. Bob's book is solid, substantive |
| you know it is) that you lose sight of the fact that | | | | and straightforward. Mine was going to be just as |
| your market doesn't know any of this and needs to | | | | meaty in its own right but more fun, whimsical and |
| be sold on all of it. That means content, cover, title, | | | | irreverent - starting with the title itself, The Well-Fed |
| subtitle, editing, and everything else that contributes | | | | Writer, and continuing on from there. |
| to a successful title - in the market's opinion, not | | | | So, clearly, I felt comfortable that there was more |
| yours. | | | | than enough room for another book on the subject, |
| What's the Payoff? | | | | especially one with a different tone and approach. |
| Let's look at a clear-cut example of a book people | | | | Most importantly, the subject matter was very |
| want to read: a Top 10 title on The New York Times | | | | compelling. I knew there were zillions of struggling or |
| fiction best-seller list. What makes such a book so | | | | "wannabe" writers out there who would be more |
| popular? With non-fiction titles, the subject is | | | | than a little intrigued by a book that showed them, |
| undoubtedly topical and compelling, and the | | | | step-by-step, how to make a handsome full-time |
| information is sufficiently valuable to enough people | | | | living as a writer. |
| to translate to commercial success. | | | | A Book Proposal? |
| With fiction though, it's likely the draw of a marquee | | | | Here's a great way to gel your thinking about the |
| author. What makes those authors so popular? Well, | | | | market viability of your book. About the time I'd |
| you could safely say that their books strike a | | | | finished my first book, and before I'd definitely |
| common chord in enough readers with compelling | | | | decided to self-publish it, I put together a book |
| story-telling, rich character development, recurring | | | | proposal, which, of course, is the first step to pitching |
| themes or heroes/heroines (in the case of a series), | | | | agents and/or publishers. But even if you've already |
| authentic depictions of human nature, etc. | | | | made the decision to go the SP route, a book |
| Simply put, for a book to become a best seller, | | | | proposal is a wonderful way to get a reality check. It |
| enough people have to feel there's a payoff: a | | | | ensures that you'll think this thing through thoroughly |
| feeling that's pleasurable or familiar, something they | | | | before taking the (financial) plunge. That means |
| can relate to on some fundamental level, etc. Will | | | | figuring out what the book would cover, why there's |
| your book deliver that crucial payoff? | | | | a market for it, who would buy it, why they would |
| Tune in to WRII-FM | | | | buy it, what your competition is, what your expected |
| All writing, if it's to be effective (i.e., get through to | | | | costs will be, and much more. |
| your reader), must always consider the audience, as | | | | Don't make the oh-so-common mistake of |
| we just discussed. Throughout the entire | | | | overestimating the appeal of a potential book idea. |
| self-publishing process, you'll need to keep your | | | | Perhaps you do have a great book, but a little |
| reader/listener/viewer constantly in mind. Choosing | | | | homework now will save a lot of headaches later. |
| the right (read marketable) subject matter for your | | | | |